I aim to remove the hierarchical distinctions associated with different kinds of actions: the perceived lowly and mundane, such as personal rituals and domestic activities; and those apparently residing on the higher plane of science and technology, namely laboratory research and digital processes. Menial, unseen, uncompensated work, performed in the home and central to daily life, includes cleaning, cooking and care- giving. By extension, the culture connected to women’s activities is denied importance. I respond to Norman Bryson’s discussions of still life and rhopography--the depiction of overlooked, trivial things that may provide sustenance or remind us of our human needs—as compared to megalography--the depiction of greatness.
I photograph everyday objects that disappear. Viewed as remnants, worthless trash, recyclables, before returning to their previous “raw” state as plastics or tin, these materials have a transitory existence. The transformation of objects---the melting of discarded cans to create new form, the ingestion of food to generate energy--extends concepts associated with consumption. We take for granted the plentitude of our natural resources and the potential of recycled materials, which support our place within our environment. I prompt the viewer to consider her engagement in daily rituals, and their resulting impact.
